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Posts Tagged ‘millimeter’

  1. My Hand…Talking to Myself

    August 5, 2012 by Erin Fletcher

    The millimeter binding (specifically Rubow) is my most favorite structure due to its simple elegance and traditional use of handmade paste paper.  Talking to Myself was bound with blank pages to be used as a journal.  On this binding the head edge and tail edge are lined with maroon goatskin with leather wrapped headbands in the same leather.  This paste paper was especially fun to design.  By taking inspiration from Sarah Creighton, I aimed to create an alien landscape with rich oranges and browns. 

    The initial peachy layer of acrylic paint mixed with wheat starch paste and water was applied to the Hahnemuhle Ingres paper with a sponge brush.  Once that dried completely the three other colors (of the same mixture) were applied separately with a piece of binder’s board in order to create the peaks and icicle-like forms.  The title was smoke-tooled with handle letters.  Smoke-tooling is a technique were the face of the tool is greased up with petroleum jelly and then stuck in a flame to collect carbon; the tool is then pressed into the cover leaving a trace of carbon behind.  This give a rich, deep black impression of the tool.


  2. My Hand…Fantasy & Nonsense

    July 23, 2012 by Erin Fletcher

    Fantasy & Nonsense is a compilation of poems from 19th century American poet James Whitcomb Riley elegantly letterpress printed on handmade paper with wood engravings by Robert Buchert.  Riley was known for writing about rural Midwestern life to an audience of young readers.  However, this unique collection portrays a devilishly playful side of Riley’s poetry through whimsical tales of things both eerie and peculiar.  Buchert’s illustrations harmonize beautifully to the mischievous tune of Riley’s words.

    This binding was completed for an exhibition put on by the Rocky Mountain Chapter of the Guild of Book Workers.  Each submission will be judged for its level of craft and creativity. Results are still pending. 

    My inspiration for this binding came from two lines in the first poem “A Nonsense Rhyme” (sea of pale pink lemonade and cringing grass).  The style of binding is referred to as Millimeter (specifically Rubow) where a millimeter of leather is exposed on the head and tail edge of the book.  I wanted to keep true to the whimsical feel of the poetry, so I used two separate leather colors, blue-gray for the head and mauve for the tail.  

    The paste paper cover was created with a mixture of acrylic paint, distilled vinegar and sugar with accents of cucumber paper from Hiromi

    Check out more photos after the jump.

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  • Visit My Bindery
    My name is Erin Fletcher and I live in Boston working as a Bookbinder.  This blog is an extension of Herringbone Bindery where I can share my inspirations with you.
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