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Posts Tagged ‘san francisco center for the book’

  1. Upcoming Workshops // August to October

    August 15, 2018 by Erin Fletcher

    AUGUST
    I have no workshops scheduled for the month of August. Go outside and enjoy your summer!


    SEPTEMBER
    3-Part Bradel Binding

    September 7 – 10 (Thursday – Sunday)
    San Francisco Center for the Book
    San Francisco, CA

    Register here. 

    The 3-Part Bradel binding offers a unique aesthetic over a traditional case binding. As the name suggests, the binding is assembled in three parts, which encourages the binder to use different materials to cover the spine and covers. For this workshop, students will use leather to cover the spine and cloth or paper for the covers. Students will be guided as they pare their own leather.

    Students will also be using a variety of bindery equipment such as a sewing frame, job backer, plow and Kwikprint to complete their structure. We will also cover how to create a simple painted, decorative edge and stamp a custom label.

    Millimeter Binding
    September 23 – 29
    Maine Media Workshops + College
    Rockport, ME

    Register here.

    The millimeter binding came about during the first World War when leather became a scarce resource for binders. Still wanting to provide an elegant leather binding to their clients, binders would use a minimal amount of leather to cover the spine, putting a millimeter or two of leather onto the boards. In this workshop students, will be creating a Rubow-style millimeter binding, learning how to make paste papers and work with leather. Each student will finish the course with a book wrapped in their own paste paper and with a thin strip of leather running across the top and bottom of the binding. This class is open to all and a great introduction to book arts!


    OCTOBER
    Fundamentals of Bookbinding I
    October 1 – 5 (Monday – Friday)
    North Bennet Street School
    Boston, MA

    This is a great workshop if you are interested in the full-time program at North Bennet or wanting to learn a new skill. During the workshop students will explore the basics of bookbinding through a variety of non-adhesive structures and finish the week by making a flatback case binding. We will discuss materials, adhesives, tool use and students will have access to traditional bindery equipment.

    Bookbinding 101 
    October 9, 16, 23 & 30 (Tuesday evenings)
    North Bennet Street School
    Boston, MA

    ​In this two day class, students get a quick introduction to various bookbinding techniques by exploring three different book structures. The class begins with a simple pamphlet and continues with constructing two multi-signature books known as a flatback case binding and link stitch binding. Finally, students construct a box to house all of their creations. This class is a great way to familiarize yourself with bookbinding and is perfect for those who are curious about the craft.


  2. Upcoming Workshop at SFCB

    July 15, 2018 by Erin Fletcher

    In September I will be heading to the west coast to teach a 4-day workshop on the 3-Part Bradel binding at the San Francisco Center for the Book. I really love making and teaching this structure. Constructing the book in three parts expands the design possibilities and material combinations. You can find out more about the workshop here.

    Workshop Description
    The 3-Part Bradel binding offers a unique aesthetic over a traditional case binding. As the name suggests, the binding is assembled in three parts, which encourages the binder to use different materials to cover the spine and covers. For this workshop, students will use leather to cover the spine and cloth or paper for the covers. Students will be guided as they pare their own leather.

    Students will also be using a variety of bindery equipment such as a sewing frame, job backer, plow and Kwikprint to complete their structure. We will also cover how to create a simple painted, decorative edge and stamp a custom label.

    Dates:
    September 7 – 10 (Friday – Monday)

    For more information and to register, click here.


  3. Upcoming Workshops // July to September

    June 15, 2018 by Erin Fletcher

    JULY
    Cross Structure Binding
    July 14 – 15 (Saturday – Sunday)
    North Bennet Street School
    Boston, MA

    This workshop is currently sold out. The Cross Structure binding is a non-adhesive structure that offers much freedom to the text block. This 20th century design is greatly inspired by the Long Stitch bindings of the medieval era. It is suitable for conservation or new bindings, such as travel journals or decorative bindings. The structure is uniquely constructed by interlocking the front and back covers at the spine. In this 2-day workshop, students will work on 4 variations of the Cross Structure, creating models in both handmade paper and leather. If time permits, students will have an opportunity to decorate their covers.

    Bookbinding 101
    July 28 – 29 (Saturday – Sunday)
    North Bennet Street School
    Boston, MA

    This workshop is currently sold out. In this two day class, students get a quick introduction to various bookbinding techniques by exploring three different book structures. The class begins with a simple pamphlet and continues with constructing two multi-signature books known as a flatback case binding and link stitch binding. Finally, students construct a box to house all of their creations. This class is a great way to familiarize yourself with bookbinding and is perfect for those who are curious about the craft.


    AUGUST
    I have no workshops scheduled for the month of August. Go outside and enjoy your summer!


    SEPTEMBER
    3-Part Bradel Binding

    September 7 – 10 (Thursday – Sunday)
    San Francisco Center for the Book
    San Francisco, CA

    Register here. 

    The 3-Part Bradel binding offers a unique aesthetic over a traditional case binding. As the name suggests, the binding is assembled in three parts, which encourages the binder to use different materials to cover the spine and covers. For this workshop, students will use leather to cover the spine and cloth or paper for the covers. Students will be guided as they pare their own leather.

    Students will also be using a variety of bindery equipment such as a sewing frame, job backer, plow and Kwikprint to complete their structure. We will also cover how to create a simple painted, decorative edge and stamp a custom label.

    Millimeter Binding
    September 23 – 29
    Maine Media Workshops + College
    Rockport, ME

    Register here.

    The millimeter binding came about during the first World War when leather became a scarce resource for binders. Still wanting to provide an elegant leather binding to their clients, binders would use a minimal amount of leather to cover the spine, putting a millimeter or two of leather onto the boards. In this workshop students, will be creating a Rubow-style millimeter binding, learning how to make paste papers and work with leather. Each student will finish the course with a book wrapped in their own paste paper and with a thin strip of leather running across the top and bottom of the binding. This class is open to all and a great introduction to book arts!

     


  4. August // Book Artist of the Month: Jody Alexander

    August 2, 2013 by Erin Fletcher

    sedimentals1-jodyalexander

    Sedimentals is an altered book project that Jody Alexander completed between 2011 and 2012. This collection of art objects include found furniture stuffed with layers of discarded books and fabric. These layers appear like a cross section of sediment revealing treasures between the layers. 

    sedimentalsdetail1-jodyalexandersedimentals2-jodyalexander alexanderdetail2-jodyalexander

    While reading the interview, you will begin to understand the depth of Jody’s commitment to her materials and characters. This exclusive connection is the cause for such a well-rounded body of work. Her dedication to teaching is just as exceptional, offering her skills to several venues both online and in person. Read the interview after the jump and come back each Monday during the month of August for more posts on Jody Alexander.

    read more >


  5. July // Bookbinder of the Month: Coleen Curry

    July 1, 2013 by Erin Fletcher

    lacouleurduvent-coleencurry

    Coleen Curry was amongst the talented bookbinders who participated in the ARA-Canada exhibit La Couleur du Vent, an international design binding exhibition starting in Paris before traveling to Quebec in September 2013 and then Montreal in November 2013. La Couleur du Vent is a collection of poems by Gilles Vigneault, illustrated and designed by Nastassja Imiolek under the artistic direction of Cécile Côté. If it sounds familiar, I posted about this exhibition during last month’s interview with Sonya Sheats

    Coleen bound this copy of La Couleur du Vent as a ‘Montage sur onglets’ style so the prints would not get lost in the gutter. The term ‘Montage sur onglets’ refers to the signatures being sewn on stubs to release them from the confines of the gutter and offering a less restricted opening. Sewn on cords with laced-in boards, the book is bound in red water buffalo with chartreuse water buffalo edge to edge doublures. Exotic leather inlays of varying depths decorate the front and back covers. Title tooled with gold foil. The flyleaves are decorated papers made by Coleen. 

    A brief explanation about the design from Coleen:
    The colors match the prints in the book.  I took some of the shapes from the prints and altered them to create a feeling of blowing in the wind and to create movement.

    lacouleurduvent2-coleencurry lacouleurduvent3-coleencurry

    Coleen’s work has been on my radar ever since I came across her binding of Toni Morrison’s A Mercy at the Chicago Public Library’s exhibition One Book, Many Interpretations in 2011. I attended the opening reception not only because I love design bindings, but to see my own binding of Arthur Miller’s The Crucible. This was the first time I had a binding on exhibit and I was quite honored to be on display with so many other talented binders.

    A Mercy by Toni Morrison bound by Coleen Curry

    A Mercy by Toni Morrison bound by Coleen Curry

    Coleen’s work masterfully mixes traditional leathers with some non-traditional textures such as exotic leathers, agate, and horsetail (to name a few). But I am more attracted to Coleen’s brilliant use of color; either by adding pops of color, subtle hints or just out-right all-over bold color palettes. 

    Read the interview after the jump and come back each Sunday in the month of July to view more gems from Coleen’s portfolio.

    read more >


  • Visit My Bindery
    My name is Erin Fletcher and I live in Boston working as a Bookbinder.  This blog is an extension of Herringbone Bindery where I can share my inspirations with you.
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