RSS Feed

Posts Tagged ‘julie chen’

  1. Book Artist of the Month: Sarah Bryant

    December 22, 2014 by Erin Fletcher

    Simulations-SarahBryant

    I really enjoyed this week’s response by Sarah Bryant on her inspiration and creative process behind Simulations on a Two-dimensional Grid. You can read about it below, but first the specs. Simulations was created in 2013 in an edition of ten. Zerkall paper is used for the pages and have been manipulated with letterpress printing, hand-drawn imagery, wax and folding. The loose pages are bound up in a waxed paper wrapper also decorated with hand-drawn imagery.

    Simulations2-SarahBryant Simulations3-SarahBryant

    Two sources of inspiration are behind this artist book: Barb Tetenbaum’s Aritst Book Idealation Deck and David Allen’s 2011 dissertation. Can you talk about how these two pieces came together as a guide for the concept of this artist book?
    So in late 2012, Barb Tetenbaum invited me to participate in a show using a set of cards that she and Julie Chen had developed over several years called “The Artist Book Ideation Deck.” The deck has categories for structure, paper, layout, technique, text, image, color, and description. It also has “adjective” cards. Barb and Julie drew random hands from this deck for all of the artists who would be making a book for the show. My hand went as follows:

    Imagery: none
    Structure: unbound/boxed
    Text: collaborate with writer/poet/other
    Layout: across folds
    Color: favorite
    Technical: hand drawn, painted/collaged, etc.
    Paper: pre-treated, crumpled, painted, pasted, etc.
    Describe: narrative
    Adjectives: personal, scientific, ordinary, complicated, colorful

    Dave Allen and I had been talking at this point about collaborating on a book, (this was just before his visit to the UK and the beginning of our Figure Study project,) so I turned to him for some text. He sent me a few excerpts from his PhD thesis for the University of Michigan and I selected this one: Simulations on a two-dimensional grid reveal that if the conditions are met to destabilize the spatially homogenous equilibrium then individual patches cycle out of phase with their neighbors. At any particular time the grid has a checkerboard-like structure (Figure 2.1), and through time individual patches exhibit a two-cycle.

    We worked together to pair it down to the following: Simulations on a two-dimensional grid reveal that if conditions are met to destabilize the equilibrium, individuals cycle out of phase with their neighbors. This felt more like a universal text, open-ended enough to invite us in and call for different interpretations.

    Once the text was selected, it was time to work with it and knead it into a book using the external prompts that came from the Ideation Deck. I used a series of folds, expanding from sheet to sheet, to disturb a grid made up of holes and lines. I loved this project, it forced me to do some new things that I surely wouldn’t have attempted without a set of instructions. Waxing the pages, for example. Also the loose sheet format that I have adopted for two subsequent projects.

    Several people have pointed out that my book is not strictly following the guidelines set by the deck. It does have imagery, for example, even if that imagery is minimal. And of course this is true. But the deck is meant to generate ideas, and so I considered the cards as prompts rather than unbreakable rules. You can still get the decks, by the way. I use mine all the time in classes or just to get my mind moving.

    – – – – – – – – – – –

    Setting limitations for a project can bring unique challenges and even heighten creativity. I was so thrilled to learn about Tetenbaum and Chen’s Idealation Deck. I may need to get my own copy and begin exploring artist books again.

    If you’d like to read a more in-depth description of Simulations, check out Heather Doyle-Maier’s review on the Abecedarian Gallery Blog, where she describes the tactile qualities of the book.


  2. July // Book Artist of the Month: Ellen Knudson

    July 2, 2013 by Erin Fletcher

    americanbreedingstandards-ellenknudson

    American Breeding Standards is the most recent work from Crooked Letter Press run by book artist and graphic designer Ellen Knudson and was produced in an edition of 60 in 2012-2013 in Gainesville, Florida. This artist book explores the systemized rules about what comprises a good or bad horse, a good or bad woman — and the steps one might take to achieve the breed standard.

    American Breeding Standards was designed and letterpress printed on Zerkall Book paper. The illustrations and text are printed from photo-polymer plates and handset metal types. Some text excerpted from American Horses and Horse Breeding (John Dimon, 1895) and Canine Breeding Standards of the German Shepherd (American Kennel Club, 2012), while the rest of the text and illustration are by Ellen.

    The binding structure is an exposed spine sewn on Cave Paper tapes and attached to paste paper covered boards. The cover of the book has a hinged pop-up that folds out. There are also 3 additional foldout pages throughout the book.

    americanbreedingstandards2-ellenknudsonamericanbreedingstandards5-ellenknudson americanbreedingstandards3-ellenknudson americanbreedingstandards6-ellenknudsonamericanbreedingstandards4-ellenknudson

    While setting up the Marking Time exhibition for the Guild of Book Workers at Dartmouth College, I came across Ellen’s piece Self-Dual (How to Walk a 30,000 Mile Tightrope). By the way, I’ll be featuring this book in a post later this month. The prints featured in this artist book are beautifully illustrated and printed in rich and muted earth tones. The book was favorably executed as the dos-a-dos style binding. 

    I’m excited to present this interview with Ellen and to post a portion of her work throughout the month of July. Ellen has such a versatile design sense, offering a range of artist books so throughly executed. Read the interview after the jump and come back each Monday in the month of July for more posts on Ellen Knudson.

    read more >


  • Visit My Bindery
    My name is Erin Fletcher, owner and bookbinder of Herringbone Bindery in Boston. Flash of the Hand is a space where I share my process and inspirations.
    Take a WorkshopNewsletter SignupSubscribe to Blog
  • Categories
  • Archives