{"id":1826,"date":"2012-10-07T01:00:14","date_gmt":"2012-10-07T06:00:14","guid":{"rendered":"https:\/\/www.herringbonebindery.com\/blog\/?p=1826"},"modified":"2025-09-15T16:31:54","modified_gmt":"2025-09-15T20:31:54","slug":"bookbinder-of-the-month-rose-adler-2","status":"publish","type":"post","link":"https:\/\/www.herringbonebindery.com\/blog\/2012\/10\/07\/bookbinder-of-the-month-rose-adler-2\/","title":{"rendered":"Bookbinder of the Month: Rose Adler"},"content":{"rendered":"

\"\"<\/a><\/p>\n

In 1918, this copy of Guillaume Apollinaire’s\u00a0Calligrammes: Po\u00e9mes de la paix et de la guerre<\/em> was printed with an original etching by Pablo Picasso (engraved by Ren\u00e9\u00a0Jaudon) and an original drawing by Ren\u00e9 Jaudon. In 1925, Rose Adler created the design and the binding was executed by Adolphe Cuzin for Jacques Doucet’s collection.<\/p>\n

Bound in ivory calfskin with overlapping inlays of black calf and beige goatskin. All tooling on cover and gilding on the edges has been done in aluminum. The turn-ins are ivory calf embellished with aluminum fillets bordering an inlay panel of black calf with a mosaic of beige goatskin. The fly leaf is silver lam\u00e9 (fabric woven or knit with thin ribbons of metallic threads). The binding is housed in a wrapper and slipcase of aluminum paper framed by red and black calf. \u00a0The title and author’s name are tooled over three inlays of beige goatskin in aluminum over a black spine.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

In 1918, this copy of Guillaume Apollinaire’s\u00a0Calligrammes: Po\u00e9mes de la paix et de la guerre was printed with an original etching by Pablo Picasso (engraved by Ren\u00e9\u00a0Jaudon) and an original drawing by Ren\u00e9 Jaudon. In 1925, Rose Adler created the design and the binding was executed by Adolphe Cuzin for Jacques Doucet’s collection. Bound in […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12,68,13],"tags":[1867,329,75,316],"class_list":["post-1826","post","type-post","status-publish","format-standard","hentry","category-binder-of-the-month","category-bookbinding","category-feature-book-of-the-week","tag-bookbinding","tag-caligrammes","tag-leather","tag-rose-adler"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2Btis-ts","jetpack-related-posts":[{"id":2150,"url":"https:\/\/www.herringbonebindery.com\/blog\/2012\/10\/28\/bookbinder-of-the-month-rose-adler-5\/","url_meta":{"origin":1826,"position":0},"title":"Bookbinder of the Month: Rose Adler","author":"Erin Fletcher","date":"October 28, 2012","format":false,"excerpt":"Bound in full black calf is this 1927 edition of Auguste de Villiers de L'Isle-Adam's\u00a0Trois contes cruels with illustrations by Jean-Emile Laboureur. \u00a0Rose Adler created the design for the binding in 1929, which was then executed by Emmanuel Lecarpentier. The scroll design is created with ivory and beige calf onlays\u2026","rel":"","context":"In "binder of the month"","block_context":{"text":"binder of the month","link":"https:\/\/www.herringbonebindery.com\/blog\/category\/binder-of-the-month\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/troiscontes_roseadler-1024x943.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/troiscontes_roseadler-1024x943.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/troiscontes_roseadler-1024x943.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1709,"url":"https:\/\/www.herringbonebindery.com\/blog\/2012\/10\/01\/bookbinder-of-the-month-rose-adler\/","url_meta":{"origin":1826,"position":1},"title":"October \/\/ Bookbinder of the Month: Rose Adler","author":"Erin Fletcher","date":"October 1, 2012","format":false,"excerpt":"This copy of Colette's L'Envers du Music-Hall with illustrations by Jean-Emile Laboureur was printed in Paris in 1926. The binding was signed and designed by Rose Adler and executed by Emmanuel Lecarpentier in 1929 for the bibliophile Jacques Doucet. Bound in ivory calf, the dancer's legs are highlighted with royal\u2026","rel":"","context":"In "binder of the month"","block_context":{"text":"binder of the month","link":"https:\/\/www.herringbonebindery.com\/blog\/category\/binder-of-the-month\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/adler.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/adler.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/adler.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1837,"url":"https:\/\/www.herringbonebindery.com\/blog\/2012\/10\/14\/bookbinder-of-the-month-rose-adler-3\/","url_meta":{"origin":1826,"position":2},"title":"Bookbinder of the Month: Rose Adler","author":"Erin Fletcher","date":"October 14, 2012","format":false,"excerpt":"In 1930, Rose Adler created this design for Francis de Croisset's\u00a0Aux f\u00e9tes de Kapurthala, the binding was executed by Emmanuel Lecarpentier for Jacque Doucet's collection. Bound in citron calf, the front cover has an inlay of cabochon of chrysoprase topped with a patterned band of black and ivory calf outlined\u2026","rel":"","context":"In "binder of the month"","block_context":{"text":"binder of the month","link":"https:\/\/www.herringbonebindery.com\/blog\/category\/binder-of-the-month\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/croisset_roseadler-1024x735.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/croisset_roseadler-1024x735.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/croisset_roseadler-1024x735.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2028,"url":"https:\/\/www.herringbonebindery.com\/blog\/2012\/10\/21\/bookbinder-of-the-month-rose-adler-4\/","url_meta":{"origin":1826,"position":3},"title":"Bookbinder of the Month: Rose Adler","author":"Erin Fletcher","date":"October 21, 2012","format":false,"excerpt":"Simulacre, a surrealist novella by Michel Leiris with illustration by French artist Andr\u00e9 Masson was printed in 1925. The binding was designed by Rose Adler and executed by Emmanuel Lecarpentier in 1927. Bound in full black calf with an inlay of cabochon of agate capping off a semi-oval of coral-pink\u2026","rel":"","context":"In "binder of the month"","block_context":{"text":"binder of the month","link":"https:\/\/www.herringbonebindery.com\/blog\/category\/binder-of-the-month\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/simulacre_roseadler-1024x818.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/simulacre_roseadler-1024x818.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2012\/10\/simulacre_roseadler-1024x818.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8686,"url":"https:\/\/www.herringbonebindery.com\/blog\/2014\/11\/02\/bookbinder-of-the-month-sol-rebora\/","url_meta":{"origin":1826,"position":4},"title":"Bookbinder of the Month: Sol R\u00e9bora","author":"Erin Fletcher","date":"November 2, 2014","format":false,"excerpt":"The design on these two bindings are very stylistic of\u00a0Sol Rebora's\u00a0fine binding work. I wanted to ask her about the technique behind this signature look. These bindings are bound in a similar fashion with the boards built up with 7 different layers. Are these layers covered in leather off the\u2026","rel":"","context":"In "binder of the month"","block_context":{"text":"binder of the month","link":"https:\/\/www.herringbonebindery.com\/blog\/category\/binder-of-the-month\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/10\/CartasDeAnastasioElPollo2-SolRebora.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/10\/CartasDeAnastasioElPollo2-SolRebora.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/10\/CartasDeAnastasioElPollo2-SolRebora.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/10\/CartasDeAnastasioElPollo2-SolRebora.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8823,"url":"https:\/\/www.herringbonebindery.com\/blog\/2014\/11\/23\/bookbinder-of-the-month-sol-rebora-4\/","url_meta":{"origin":1826,"position":5},"title":"Bookbinder of the Month: Sol R\u00e9bora","author":"Erin Fletcher","date":"November 23, 2014","format":false,"excerpt":"This is my favorite binding to date from bookbinder Sol R\u00e9bora. A french text bound in full goatskin with onlays that create a striking, eye-catching design. The overlapping ellipses are creating by using a combination of goatskin and calf. Combining these two skins as onlays is a technique Sol has\u2026","rel":"","context":"In "binder of the month"","block_context":{"text":"binder of the month","link":"https:\/\/www.herringbonebindery.com\/blog\/category\/binder-of-the-month\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/11\/LesRencontres4-SolRebora.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/11\/LesRencontres4-SolRebora.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/11\/LesRencontres4-SolRebora.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.herringbonebindery.com\/blog\/wp-content\/uploads\/2014\/11\/LesRencontres4-SolRebora.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/posts\/1826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/comments?post=1826"}],"version-history":[{"count":6,"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/posts\/1826\/revisions"}],"predecessor-version":[{"id":1836,"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/posts\/1826\/revisions\/1836"}],"wp:attachment":[{"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/media?parent=1826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/categories?post=1826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.herringbonebindery.com\/blog\/wp-json\/wp\/v2\/tags?post=1826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}