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Posts Tagged ‘client work’

  1. Best of 2015

    December 31, 2015 by Erin Fletcher

    Wow, this has been a busy, busy year and I can’t believe that 2015 is coming to end. I want to extend my gratitude to the people who have helped contribute to the blog this year:

    Interviews:
    – Kathy Abbott
    – Ben Elbel
    – Tini Miura
    – Tracey Rowledge
    – Natalie Stopka
    Conservation Conversations Contributors:
    – Marianna Brotherton
    – Henry Hébert
    – Becky Koch
    – Athena Moore
    – Jacqueline Scott

    I also want to thank everyone who reads the blog, subscribes to the blog and newsletter and to those who’ve left comments. It has really warmed my heart to see the growth of interest and recognition that the blog has receive over the course of the year.

    At this time I like to reflect on my year. Herringbone Bindery saw a nice shift in workflow this year. As I removed conservation and repair services, I saw more edition work come my way. A few of these projects will be finishing up early in the new year and I plan to write up a post about them. I had another successful year teaching at North Bennet Street School with roughly 85% of my offered workshops running. I also began my second year as a Middle School Book Arts instructor. It’s been so delightful to see the creativity flow from the kids, stay tuned for a new feature on the blog.

    What to expect in the New Year:
    – an updated website: My husband and webmaster has been working on a beautiful new and easy to navigate website. We hope to have it up and running before the end of March.
    – I’ll be working on a fair amount of design bindings in 2016 and will be posting about them along the way
    – another round of interviews

    As I do every year, here is my list of favorite posts from 2015.

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    1. December // Bookbinder of the Month: Kathy Abbott
    I am really delighted by this interview with Kathy Abbott. She is very methodical about her approach to design binding from selecting the perfect goatskin to applying her decorative techniques. Kathy’s discipline is inspiring and so are her simplistic designs.
    2. Artist: Rachel Foullon
    3. Client Work // Ye Sette of Odd Volumes

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    4. Makin’ Care of Business Interview
    In July, I was interviewed by Rachel Binx at Makin’ Care of Business. It was a great way to reflect on my successes and how I’ve overcome challenges throughout the years I’ve been in business. I was honored to be apart of this collection of interviews with other talented craftsman and artisans working successfully as entrepreneurs.
    5. Artist: Nicholas Schutzenhofer
    6. North Bennet Street School // Student and Alumni Exhibit 2015 – Part One & Part Two
    I love writing this post every year. It’s a joy to speak with the students about their design bindings; detailing their concepts and techniques, what worked and what didn’t. This year’s exhibit also included a lovely selection of bindings from alumni, which you can read about in Part Two.

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    7. Conservation Conversations // Making an Old Book Whole Again by Jacqueline Scott
    Jacqueline Scott had a slew of internships this past summer, which offered great material for the Conservation Conversations column on the blog. I particularly enjoyed this treatment of a binding in the collection at the Newberry Library in Chicago.
    8. March // Bookbinder of the Month: Tracey Rowledge
    I am so awed by the art work and bindings from Tracey Rowledge. Her responses to my interview questions were so thoughtful and inspiring. There is no mistake that she is a talented craftsperson with an impeccable ability to meld her artistic capabilities into her bindings.
    9. Artist: Tomma Abts

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    10. Seventh Triennial Helen Warren DeGolyer Exhibition and Bookbinding Competition 2015
    As a first time participant in the DeGolyer Exhibit and Competition, I found the experience to be quite rewarding (despite the fact that I didn’t actually win anything). It forced me to execute an idea for a design binding in a new and more extensive way. This post goes into detail about my own proposal and the proposal from winner, Priscilla Spitler.
    11. Artist: David Quinn
    12. July // Bookbinder of the Month: Ben Elbel
    An innovator in the field, Ben Elbel has continuously churned out variations on structures and has developed several new styles of binding. I am always looking forward to his next project; to read about the challenges posed by the binding and the elegant solutions he comes up with.

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    13. My Hand // Dune
    This year I finished my design binding for Dune, that was then accepted into the Guild of Book Workers Traveling Exhibit: Vessel. I am very pleased with the outcome of this binding, particularly with the edge decoration and the successfully gilt concentric circles. No easy task.
    14. Artist: Lily Stockman
    15. Conservation Conversations // The Continuum by Henry Hébert
    Henry Hébert has been writing for the Conservation Conversations post for 2 years now and has continuously delivered interesting and sometime hilarious content. The outcome of Henry’s treatment shared in this post is stunning. The new binding is well executed and is treated with respect to the binding’s historical content.

    Happy New Year!


  2. Client Work // Single Section Half Leather Binding

    August 6, 2013 by Erin Fletcher

    STORY ABOUT THE TEXT: An article titled The Roxbury Defenders Committee: Reflections on the Early Years by the Chief Justice Roderick L. Ireland was recently published in Volume 95, No. 1 of the Massachusetts Law Review. The article speaks about the establishment of the Roxbury Defenders, a committee founded in 1971 to provide legal referrals to those who suffered financially in Roxbury, Massachusetts. The committee was founded by Ireland and his colleague and friend, Professor Wallace W. Sherwood. 

    ABOUT THE BINDING: For my client, I bound two copies of the Massachusetts Law Review journal, one for the Chief Justice and one for Professor Sherwood. The journals came to me straight from the press and bound together with staples. The staples were removed and bound as a single section bradel binding. This structure has been described in a previous Client Work post you can check out here and here.

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    Since the journal is printed in black ink only, I chose materials that reflected the gorgeous and vibrant image on the cover. The journals are bound a half leather binding, where the same covering material for the spine is used to cover the corners. I chose to bind the journals in a blue-gray buffalo skin against a taupe Iris bookcloth. For the endpapers I chose a beautiful handmade Cockerell marbled paper from Cambridge, England, in addition to a folio of marbled grey Bugra and off-white Hahnmühle Ingres.

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    Setting up my bench in preparation for covering the corners with blue-gray buffalo skin.

    To finish off the bindings, the title and volume of the journal were hand tooled along the spine with Centaur handle letters. The title was gilt with gold leaf.  

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  • Visit My Bindery
    My name is Erin Fletcher, owner and bookbinder of Herringbone Bindery in Boston. Flash of the Hand is a space where I share my process and inspirations.
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