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Posts Tagged ‘ecole estienne’

  1. Preparing the La Couleur du Vent Exhibit + Opening Reception

    July 24, 2014 by Erin Fletcher

    Last week, North Bennet Street School opened their first bookbinding exhibit in the Windgate Gallery. During the set-up, along with Jeff Altepeter and Katie Barber, I had the pleasure in handling the design bindings for ARA-Canada‘s La Couleur du Vent exhibit. To start off, I unpacked all of the books, unraveling them from their protective layering while keeping everything organized.

    LaCouleurDuVent1-ErinFletcher

    Jeff and I then went to task in laying out the books in their respective spots, doing our best to arrange the cases in a complimentary fashion. The school recently built new wooden bases for the exhibit with sawhorse-style legs. In order to have an adequate base, we decided to hide the wood by making some custom wrapped boards in a suitable and subtle bookcloth. After the wooden bases were installed we put the bindings in their final place, making minor adjustments by adding risers and wedges for the books lying flat.

    LaCouleurDuVent2-ErinFletcher LaCouleurDuVent3-ErinFletcher

    In addition to the bindings, a table was set up with a facsimile of the printed text. This gave real insight to the inspiration many of the binders saw within the illustrations, many of the graphics were replicated or abstracted on several of the bindings.

    LaCouleurDuVent5-ErinFletcher

    The night of the reception was attended by quite a crowd of binders coming from as far as France and Canada. Odile Douet of École Estienne in Paris was accompanied by Jonathan Tremblay, president of ARA-Canada (both with beautiful bindings in the show). Odile gave a heartwarming talk about the transformation of this simple idea and how it flourished into an international traveling exhibit. If you haven’t had a chance to view the exhibit, you can do so until it closes on September 14th.

    LaCouleurDuVent7-ErinFletcher LaCouleurDuVent6-ErinFletcher

     

     


  2. Bookbinder of the Month: Karen Hanmer

    December 29, 2013 by Erin Fletcher

    LaCouleurDuVent-KarenHanmerLa Couleur du Vent is an exhibition featuring 50 bindings interpreting text of the same title. I previously posted about this exhibition in Sonya Sheat’s interview this past June. ARA-Canada in partnership with the École Estienne in Paris, organized an international exhibition of bookbinding to be held in both Paris and Canada during 2013 and 2014. I found Karen Hanmer’s design for the text to be quite striking and unusual from her other fine bindings. The overall design is simplistic, but the arrangement of fine, short lines creates a beautiful texture against the grain of the vibrant yellow leather. 

    Bound in full goatskin as a traditional French-style fine binding, Karen’s copy of La Couleur du Vent was sewn on flattened cords and the boards are laced-on. The red teardrop is a back-pared onlay, while the other teardrops are tooled using black, gold and red foils. The title is hand tooled using the same colored foils. 

    How did you come to participate in this exhibition? Are you a member of ARA Canada?
    Yes, I am a member of ARA Canada, and this is the third time I have exhibited with them. Their exhibitions travel in Canada and sometimes in France, and they still produce printed catalogs.

    Prior to a family vacation I posted on the Book_Arts-l asking for suggestions of things to see in Montreal. Cécile Côté invited us to visit her studio, and I was able to see the text block for this set book exhibit, which was designed, illustrated and printed by an intern under Cécile’s direction. [From the ARA-Canada website: This is a collection of poems by Gilles Vigneault, illustrated and designed by Nastassja Imiolek under the artistic direction of Cécile Côté.] I unable to find a translation of the text, so my design is based on the illustrations, borrowing often-used colors and the repeated teardrop shape and cross-hatching.


  3. June // Bookbinder of the Month: Sonya Sheats

    June 1, 2013 by Erin Fletcher

    lacouleurduvent-sonyasheats

    Photo by Denis Larocque.

    La Couleur du Vent is a collection of poems by Gilles Vigneault, illustrated and designed by Nastassja Imiolek under the artistic direction of Cécile Côté. Sonya Sheats bound this copy for an international design binding exhibition organized by ARA-Canada and the École Estienne in Paris. The exhibition is currently on display in Paris until it travels to Quebec and then to Montreal. The exhibition is also viewable online at ARA-Canada: La Couleur du Vent

    Sonya bound this edition as an open joint sewn with tapes made out of vellum and box calf, spine is tanned calf skin with onlaid bands of muted green and taupe water-snake skin and one band of red calf skin, boards in MDF and walnut burl veneer, and onlays in lace wood and calf skin. The subtle accent on red comes straight from the illustrations in the book.

    While finishing my second year at North Bennet Street School, Sonya was invited to teach my class the simplified binding structure, a technique she learned from Sün Evrard. Initially, I had the pleasure of meeting Sonya during an open studio event in Cambridge. I was able to tour her space and handle many of her bindings. I am very intrigue and captivated by Sonya’s clean design and level of skill. I would like to thank Sonya for taking the time to share her experiences and skills with me through this interview

    Read the interview after the jump and come back each Sunday in the month of June to read more about Sonya’s work. 

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  • Visit My Bindery
    My name is Erin Fletcher, owner and bookbinder of Herringbone Bindery in Boston. Flash of the Hand is a space where I share my process and inspirations.
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