I was recently invited, along with fourteen other talented binders, to bind a copy of Feed Sacks: The Colourful History of a Frugal Fabric by Linzee Kull McCray. This project all began when Todd Pattison, received a generous gift of unbound copies from the publisher and designer of Feed Sacks, Janine Vanpool at UPPERCASE Magazine.
The book offers insight into how a plain utilitarian fabric evolved into a highly sought after commodity that was soon crafted into trendy garments, homewares and toys by housewives and seamstresses. The book also contains a plethora of images, which include scans from the impressive collections of two vintage feed sack collectors.
For my binding, I wanted to incorporate an authentic feed sack fabric and I just so happen to find a pattern straight from the book.
The book itself is bound as a 3-Part Bradel binding. The spine is covered in handmade paper from Katie MacGregor. The endpapers are a combination of paper from Katie MacGregor and Hook Pottery Paper. The boards are covered in the vintage fabric and wrapped with a hand embroidered Japanese tissue. The design of the wrapper pulls elements from the labels found on feed sacks, taking cues from the language and typography used. I used Okawara tissue for the wrapper and cotton embroidery floss. The center motif was back with a piece of muslin to strengthen the area prior to stitching. The vibrant red was added with colored pencil.
Embroidering onto tissue was a very delicate process, but one that I had been interested in testing out for a while. In hindsight, I would have done things a bit differently. Working directly on the tissue caused warping and wrinkling, which was impossible to correct. In the future, I would attach the tissue to the covering material first, sewing through both layers.
To see more images of my binding and the other binder’s interpretations of the text, check out the online gallery here.