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Posts Tagged ‘student and alumni exhibit’

  1. Best of 2015

    December 31, 2015 by Erin Fletcher

    Wow, this has been a busy, busy year and I can’t believe that 2015 is coming to end. I want to extend my gratitude to the people who have helped contribute to the blog this year:

    Interviews:
    – Kathy Abbott
    – Ben Elbel
    – Tini Miura
    – Tracey Rowledge
    – Natalie Stopka
    Conservation Conversations Contributors:
    – Marianna Brotherton
    – Henry Hébert
    – Becky Koch
    – Athena Moore
    – Jacqueline Scott

    I also want to thank everyone who reads the blog, subscribes to the blog and newsletter and to those who’ve left comments. It has really warmed my heart to see the growth of interest and recognition that the blog has receive over the course of the year.

    At this time I like to reflect on my year. Herringbone Bindery saw a nice shift in workflow this year. As I removed conservation and repair services, I saw more edition work come my way. A few of these projects will be finishing up early in the new year and I plan to write up a post about them. I had another successful year teaching at North Bennet Street School with roughly 85% of my offered workshops running. I also began my second year as a Middle School Book Arts instructor. It’s been so delightful to see the creativity flow from the kids, stay tuned for a new feature on the blog.

    What to expect in the New Year:
    – an updated website: My husband and webmaster has been working on a beautiful new and easy to navigate website. We hope to have it up and running before the end of March.
    – I’ll be working on a fair amount of design bindings in 2016 and will be posting about them along the way
    – another round of interviews

    As I do every year, here is my list of favorite posts from 2015.

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    1. December // Bookbinder of the Month: Kathy Abbott
    I am really delighted by this interview with Kathy Abbott. She is very methodical about her approach to design binding from selecting the perfect goatskin to applying her decorative techniques. Kathy’s discipline is inspiring and so are her simplistic designs.
    2. Artist: Rachel Foullon
    3. Client Work // Ye Sette of Odd Volumes

    bestof2015b

    4. Makin’ Care of Business Interview
    In July, I was interviewed by Rachel Binx at Makin’ Care of Business. It was a great way to reflect on my successes and how I’ve overcome challenges throughout the years I’ve been in business. I was honored to be apart of this collection of interviews with other talented craftsman and artisans working successfully as entrepreneurs.
    5. Artist: Nicholas Schutzenhofer
    6. North Bennet Street School // Student and Alumni Exhibit 2015 – Part One & Part Two
    I love writing this post every year. It’s a joy to speak with the students about their design bindings; detailing their concepts and techniques, what worked and what didn’t. This year’s exhibit also included a lovely selection of bindings from alumni, which you can read about in Part Two.

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    7. Conservation Conversations // Making an Old Book Whole Again by Jacqueline Scott
    Jacqueline Scott had a slew of internships this past summer, which offered great material for the Conservation Conversations column on the blog. I particularly enjoyed this treatment of a binding in the collection at the Newberry Library in Chicago.
    8. March // Bookbinder of the Month: Tracey Rowledge
    I am so awed by the art work and bindings from Tracey Rowledge. Her responses to my interview questions were so thoughtful and inspiring. There is no mistake that she is a talented craftsperson with an impeccable ability to meld her artistic capabilities into her bindings.
    9. Artist: Tomma Abts

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    10. Seventh Triennial Helen Warren DeGolyer Exhibition and Bookbinding Competition 2015
    As a first time participant in the DeGolyer Exhibit and Competition, I found the experience to be quite rewarding (despite the fact that I didn’t actually win anything). It forced me to execute an idea for a design binding in a new and more extensive way. This post goes into detail about my own proposal and the proposal from winner, Priscilla Spitler.
    11. Artist: David Quinn
    12. July // Bookbinder of the Month: Ben Elbel
    An innovator in the field, Ben Elbel has continuously churned out variations on structures and has developed several new styles of binding. I am always looking forward to his next project; to read about the challenges posed by the binding and the elegant solutions he comes up with.

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    13. My Hand // Dune
    This year I finished my design binding for Dune, that was then accepted into the Guild of Book Workers Traveling Exhibit: Vessel. I am very pleased with the outcome of this binding, particularly with the edge decoration and the successfully gilt concentric circles. No easy task.
    14. Artist: Lily Stockman
    15. Conservation Conversations // The Continuum by Henry Hébert
    Henry Hébert has been writing for the Conservation Conversations post for 2 years now and has continuously delivered interesting and sometime hilarious content. The outcome of Henry’s treatment shared in this post is stunning. The new binding is well executed and is treated with respect to the binding’s historical content.

    Happy New Year!


  2. North Bennet Street School // Student & Alumni Exhibit 2013

    May 30, 2013 by Erin Fletcher

    At the annual Student & Alumni Exhibit for North Bennet Street School, the 2013 graduating Bookbinding class* showcased their design bindings for the set book The Periodic Table by Primo Levi. The text is largely a memoir of the years before and after Levi was transported to Auschwitz. Through a set of chapters titled after elements on the periodic table, Levi recounts his Jewish community in Italy and his life as a student and young chemist; exposing how life’s pleasures can resist and endure in the face of tyranny.

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    Kevin Sheby bound his edition in black goatskin with hand-dyed goatskin onlays, tooled with palladium. The title and author are also hand tooled in palladium. Edges decorated with graphite and irregularly gilt with palladium. Kevin finished off the inside covers with black goatskin doublures and sunken ebonized veneer panels.

    studentalumni-jeannegoodman

    Jeanne Goodman covered her binding in full navy blue goatskin with sunken hexagon panels on either cover displaying two illustrations from the text. Each illustration is created through the use of several decorative techniques including feathered onlays, tooling in blind and gold and surface gilding in palladium. A tooled double border in gold runs along the outer edges of the covers. All three edges are gilt in gold and the interior is finished with handmade graphite paste papers.

    studentalumni-katrinakiapos

    Bound in full black goatskin, Katrina Kiapos, accented her design binding with a minimalist, geometric design. Three onlays in shades of black and grey mirror each other from the front and back covers. Katrina hand tooled the title and author in palladium. Edges decorated with graphite and sprinkled with palladium. The interior is covered with black goatskin doublures and leather flyleaves.

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    Betsy Roper bound her design binding in full hand-dyed goatskin. The skin was dyed to have a mottled look, creating texture and movement. Various hexagons are placed on the front and back cover, both protruding from and sinking into the boards. Title hand tooled in blind. Edges decorated in a soft brown tone. A marbled paper accents the island paste down and flyleaf.

    studentalumni-averybazemore

    Avery Bazemore created a design to reflect the chapters of the book, emphasizing the section about gold with a surface gilt square onlay on the front cover. The book is bound in full grey goatskin with additional onlays in black goatskin. Title and author were hand tooled in carbon. Head edge decorated before sewing in graphite; Avery again emphasizes the chapter in gold by gilding that particular section of the text. The single line continues onto the headband and headcap. The interior is finished off with leather doublures.

    studentalumni-laurenschott

    Covered in full dark green goatskin, Lauren Schott created a design binding reminiscent of the Art Deco era. Hand tooled gilt lines run the height of the front cover, wrapping around the spine, board edges and back cover leaving the outline of a hexagon. The title and author were also hand tooled in gold. Edges decorated with graphite and sprinkled with gold leaf.

    In addition to student work, a small handful of alumni work was also on display.

    libraryofbabel-colinurbina

    Library of Babel bound by Colin Urbina in full brown goatskin and hand tooled in a repeating hexagon pattern. A single hexagon is gilt on the front cover. Edges decorated with alternating shades of brown and chartreuse green.

    libraryofbabel2-colinurbinawhitman-samfeinstein

    A full leather rounded spine clamshell box from Samuel Feinstein. The front cover has a built-in window to house a printed portrait of Walt Whitman in addition to a gold tooled border along the frame.

    shakespeare-celinelombardi

    The Complete Works of Shakespeare bound by Celine Lombardi in full red goatskin. Titling and cover design hand tooled in gold. Each title on the spine is linked to a tab on the foredge of the text block through a corresponding gilt line.

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    There are four great pieces on display in this case. On either corner are two of my bindings: Fantastic Mr. Fox and James and the Giant Peach. Last year, Marie Oedel paired up with book artist Laura Davidson (whom I interviewed on my blog in April) to make custom boxes for her book Every Nib. Lastly, is Celine Lombardi’s Murmurations, a small edition printed and bound during her year long fellowship at The Center for Book Arts in New York.

    * Nancy Baker’s set book was taken from the exhibit before I could photograph it for this blog post.


  • Visit My Bindery
    My name is Erin Fletcher, owner and bookbinder of Herringbone Bindery in Boston. Flash of the Hand is a space where I share my process and inspirations.
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