Jumping back to 2008 with this binding of William Shakespeare’s As You Like It. Kathy Abbott bound this 1903 Roycroft Shop edition in full scarlet goatskin. The cascading hearts are black goatskin onlays. The head edge is gilt using moon gold.
I’ve noticed that you never title your bindings. What are your reasons for this choice? Are you ever criticized for this decision by collectors or other binders?
I wouldn’t say criticized but it is often commented on! I like the reader to be curious about what’s inside the book, without actually ‘telling them’ what it’s about. For me, a book’s design must flow freely across the front board, the spine and the back board without interruption. I feel that a title would break the flow in my work. This is purely personal: I have seen many binders use titling beautifully as an essential element of their design but this is just not for me, at least for now that is! All of my bindings are housed in bespoke drop-back boxes and the title of the book is always on the box, so it’s not a problem.
The free-flowing design for this book is a nod towards the love letters that Orlando leaves for Rosalind in the trees of the forest.