Herringbone Bindery
Erin Fletcher : Fine Binding & Edition Binding
Video showing off the elements of the double panel binding. Head edge of the double panel binding with hand cupping left-hand side of book. Showing the front cover of the double panel binding with lilac handmade paper backdrop. Showing the closed head edge of the double panel binding with lilac handmade paper backdrop. Case is flat on paper backdrop with accordion text block unfolded. Book opened flat, standing on its tail with accordion slightly unfolded. Printing set-up showing the action of peeling paper from the Gelli plate to reveal print. Smoothing down backside of paper ontop of Gelli plate to create monoprint.

$150 — Workshop Fee
Registration closes on March 6th
Registration closes on March 10th
3 sessions:
March 19*, 24, 26
(Tuesday & Thursday evenings)

6:00 – 8:30pm (eastern time)
5:00 – 7:00pm (central time)
4:00 – 6:30pm (mountain time)
3:00 – 5:30pm (pacific time)

*Session 1 will run for only 1 hour
Workshop // Double Panel Binding

Description
The Double Panel Binding came about when I was creating a decorative binding for a large, unwieldy accordion text block. The goal was to develop a binding style that could open completely flat making it easier to unfurl the accordion. Pulling from box-making techniques that I learned from John DeMerritt and der gebrochene rücken (a variant of the German Bradel binding), the covers come together when fully opened, inviting a design that can span across the entire binding. Each board is constructed separately and out of two covered panels. The inner boards conceal the spine attachment and give space to sew in the accordion or single signature.

In addition to making a model of the Double Panel Binding, we’ll also print one-of-a-kind monoprints for covering the outer boards.

This workshop will be live instruction through Zoom. Open to students at any skill level, but please contact me if you have questions determining if this workshop is right for you.

Skill Level: Beginner



Material Kit
The
workshop fee includes a material kit
, which will be shipped to you prior to the workshop. In order to receive the material kit on time, please register by March 6th. Below is a list of tools and materials that you must supply yourself.


Tools and Materials
Students must supply the following tools and materials. Check out the vendor list for recommended suppliers.

Required - Bookbinding Tools
  • Blue Tape
  • Bone Folder
  • Craft Knife (Olfa or X-Acto)
  • Cutting Mat
  • Glue Brush - size: small and medium
  • Pencil
  • Pin Vise (size B) or Awl
  • PVA
  • Ruler - with metric
  • Sanding Block or Stick
  • Scissors
  • Sewing Needle - #18
  • Thread: 18/3 Dyed Linen
  • Triangle - 45/45/90
  • Waste Paper
  • Weights

Required - Printmaking Tools
  • Brayer - soft rubber (have 1-3 on hand)
  • Clean-up supplies: paper towels, spray bottle with water, baby wipes
  • Gelli Plate (or similar brand) - size: 8 x 10" or smaller
  • Mark making tools - botanicals (real or fake), stencils, doilies, mesh, bubble wrap, cotton swabs, brushes, sponges, etc.
  • Paint - fluid acrylic (matte or metallic)
  • Waste Paper

Optional
  • Apron
  • Punching Cradle



Reduced Rate Workshop Fee
Two seats are available at a reduced rate of $115. These seats are available even if workshop is sold out. Please click on the button below to find out more information about how to submit. Application closes on February 20th. Recepients will be notified by February 22nd.


Each Workshop is Recorded
All workshops will be recorded and made available to all registered students for a period of 90 days. A link to the recording will be sent out 1 day after it is recorded.


Refund Policy
No refunds will be issued once material kits are shipped or 10 days prior to the start of the workshop. Workshops will run with a minimum of 4 students, if this number is not met then a refund will be issued.